Hi guys and welcome to today’s blog tour post for Old Cases, New Colours by Madalyn Morgan.
I’m really excited to be taking part in today’s blog tour. It’s been a few months since my last one and I always like to feature new books and authors. As always, a huge thank you to Rachel at Rachel’s Random Resources for organising the tour and giving me a spot in order to share today’s extract with you and to the author, Madalyn Morgan!
Before we jump into the extract of Old Cases, New Colours, here is a brief note on the events of the book: –
Intro: Paintings are being stolen and replaced by forgeries. When a Hogarthpainting goes missing en route from the Savoy Hotel to the art gallery and later turns up at Bow Street police station, Inspector Powell who Ena has known for many years asks if she and Henry would attend a pre-auction night at an art gallery owned by Giselle Aubrey, the goddaughter of a friend of his. While Henry, who was an artist before the war, authenticates the Hogarth Ena mingles.
Casting her gaze around the room, Ena noticed a middle-aged woman lift the glass lid of a display cabinet and take out a brooch. She then looked around and, unaware that Ena was watching her, unclipped the fastener on her evening bag and dropped the brooch in. Ena couldn’t believe anyone would be so brazen as to steal a valuable piece of jewellery in front of dozens of people. She stood open-mouthed looking at the woman when she realised she herself was being watched by an elderly man with silver hair. He smiled at her, creating soft creases at the corners of startling blue eyes.
The man’s smile made Ena feel awkward. She felt as if she had witnessed something very private – had been a fly on the wall of someone’s bedroom – instead of the theft of an item of jewellery. She turned away from the man’s gaze and, feigning interest in the paintings on the wall nearest to her, made her way across the room to Giselle.
As she approached the gallery owner, she heard Henry assuring her that the painting taken to Bow Street Police Station, was a genuine Hogarth.
Giselle threw her arms around Henry’s neck. ‘So, can I display it?’ Henry nodded. ‘Thank you,’ she gushed.
The Hogarth being genuine didn’t make sense to Ena. Had whoever stole the painting got cold feet and purposely left it at the back of The Savoy, hoping it would be found? Was it a bungled theft, or a genuine oversight? She didn’t believe for a second that the men transporting the painting from The Savoy to the gallery had left it behind by mistake. What then?
‘Ena?’ Giselle gave her a broad smile. ‘Did you want me or your wonderful husband?’
‘Well done, wonderful husband,’ Ena said with a twinkle in her eye. Henry lifted his glass to her. ‘It was you who I wanted to speak to.’ Ena wished she’d been able to tell Henry what she’d seen before speaking to Giselle. It was too late now; both her husband and the gallery owner were looking at her expectantly.
‘I’m sorry to have to tell you, Giselle, but I’ve just seen a woman in a turquoise dress -early fifties, plump with a pretty face and short fair curly hair -steal a brooch from one of the display cabinets.’
‘Did you see which brooch she took?’
‘I wasn’t close, but I could see it was a coral stone and there were other stones around it.’
‘I know the brooch you mean. It’s one of the most expensive pieces in the gallery. It was made by the French designer, Gilou Donat.’ Giselle looked past Ena. If the woman you described wants the brooch, her husband will buy it for her. I assure you she has no need to steal anything. He is very wealthy. And,’ Giselle said, ‘he is besotted with her.
He must be Ena thought. His wife did steal the brooch, both she and the woman’s husband saw her. Ena was fascinated to know why someone would steal something that they could so easily have bought, or asked for as a gift.
Giselle moved deftly among clusters of people standing around admiring the paintings, sculptures and jewellery on show. ‘Charles,’ she said, kissing the distinguished looking man with silver hair and the kind of tan you get from spending long periods in the South of France, not south London.
This is my friend, Ena. Ena, these lovely people are Priscilla and Charles. Can I help you with anything?’
‘Priscilla has taken a shine to the coral and pearl brooch.’
‘As always, you have impeccable taste, Priscilla. It is the only one of its kind. There have been no bids made on it, so it’s all yours. Would you like to take it with you tonight, or shall I have it sent to you tomorrow?’
The woman’s husband looked at her, a smile on his face and love in his eyes.
‘I’ll take it tonight, please, darling.’
’Giselle looked around the gallery, put up her hand and the man who had met Ena and Henry at the door and checked their tickets, made his way across the room to her.
‘Victor, would you take the Donat brooch form the showcase and put it in a presentation box.
‘I’d like to wear it now,’ Priscilla said.
‘Even better. It will look beautiful on your dress,’ Giselle turned to Priscilla’s husband.
‘I’ll have Victor bring the box to your office tomorrow with the invoice.’
‘Thank you,’ he said.
Certain that the case was already unlocked, Ena watched as Victor took a small key from his waistcoat pocket. He inserted the key in the lock, turned it and the case opened. As big as he was, Victor skilfully lifted up the brooch and gave it to the woman who passed it to her husband. He lovingly pinned the brooch of coral and pearls onto her turquoise dress and stepped back. He exclaimed how beautiful she looked and she giggled like an excited child.
Victor, his job done, locked the cabinet. After returning the key to his waistcoat pocket, he straightened his jacket, gave a short nod to his boss and went back to his post by the door.
‘I’m going to powder my nose, darling,’ Pricilla said to her husband, ‘I won’t be long.’
I need to spend a penny too, Ena thought and followed her.
So, that’s today’s extract from Old Cases, New Colours! I hope you enjoyed reading this extract as much as I did! If you want to find out more about the details of the book and the author, you can find them below: –
Old Cases, New Colours (A Dudley Green Investigation)- Madalyn Morgan
Sick of working in a world of spies and bureaucracy, Ena Green, nee Dudley, leaves the Home Office and starts her own investigating agency. Working for herself she can choose which investigations to take and, more importantly, which to
While working on two investigations, Ena is called as a prosecution witness in the Old Bailey trial of a
cold-blooded killer who she exposed as a spy the year before.
I was bought up in a pub in a small market town called Lutterworth. For as long as I can remember, my dream was to be an actress and a writer. The pub was a great place for an aspiring actress and writer to live with so many characters to study and accents to learn. I was offered Crossroads the
first time around. However, my mother wanted me to have a ‘proper’ job that I could fall back on if I needed to, so I did a hairdressing apprenticeship. Eight years later, aged twenty-four, I gave up a successful salon and wig-hire business in the theatre for a place at East 15 Drama College and a career as an actress, working in Repertory theatre, the West End, film and television.
In 1995, with fewer parts for older actresses, I gave up acting. I taught myself to touch-type, completed a two-year correspondence course with The Writer’s Bureau and began writing articles and presenting radio.
In 2010, after living in London for thirty-six years, I moved back to Lutterworth. I swapped two window boxes and a mortgage for a garden and the freedom to write. Since then, I have written nine
novels. The first four, The Dudley Sisters’ Saga, tell the stories of four sisters in World War 2. My current novel, Old Cases, New Colours, is a thriller/detective story set in 1960. I am writing Christmas book – Christmas Applause – and a Memoir; a collection of short stories, articles, poems, photographs and character breakdowns from my days as an actress.
Social Media Links –
Madalyn Morgan’s books- https://www.amazon.co.uk/Madalyn-Morgan/e/B00J7VO9I2
Blog – https://madalynmorgan.wordpress.com/
Facebook – www.facebook.com/madalyn.morgan1
Today’s Shelf Control features yet another book on my TBR because I think we’ve ascertained I have no s(h)elf control when it comes to books! Shelf Control is a meme run by Lisa at Bookshelf Fantasies. It’s a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up!
For more info on what Shelf Control is all about, check out Lisa’s introductory post.
In today’s post, I am featuring yet another classic novel that I want to read. The author of this classic isn’t new to me, so I’m confident I’ll be able to read and enjoy it. This was just one of the books I added to my list in a classics blitz – I decided one day that I should make an effort to read more and so added a bunch to the TBR all at once.
The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers.
First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.
If you’d asked me if I would ever pick up another book by John Steinbeck after I initially read Of Mice and Men, I would have answered no. I hated Of Mice and Men to start with. It was boring, depressing and it was a book I had to study for school. There is something about having to write essays about books… or micro-analyse them that sucks the joy out of reading. That’s why I disliked this first book so much.
I did actually read it again in 2017 and my attitude towards it was completely different. I had struggled to get on with this for my GCSE’s, but I read it within a couple of hours. And I enjoyed it! My newfound appreciation for Of Mice and Men is the driving force behind wanting to try The Grapes of Wrath. It’s also a classic, but I feel it will have the same vibe as Of Mice and Men and cover a period of history that is of interest to me – the Great Depression.
Have you read The Grapes of Wrath? Would you recommend it? Let me know in the comments!